《Jane Eyre(简爱)》讲述了这样一个故事：简·爱自幼父母双亡，投靠冷酷的舅母，但舅母无情地抛弃了她。她在一所慈善学校做了六年的学生和两年的教师。十八岁时，简·爱受聘到桑菲尔德府学当家庭教师，认识了主人罗切斯特。两人都被对方独特的气质和丰富的感情所吸引，于是不顾身份和地位的巨大差距深深相爱了。正当他们举行婚礼时，有人证明罗切斯特的前妻还活着。简·爱知道他们不可能有平等的婚姻，于是选择了离开。后来，简·爱意外遇见了她的表兄妹们，并从叔叔那里继承了一笔遗产。但她无法抵御对罗切斯特的刻骨思念，于是便回到了已经失去了财富、身体也遭到火灾严重摧残的罗切斯特身边，毅然跟他结婚。在爱的沐浴下，罗切斯特找回了幸福和健康。

The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

In this work the plucky heroine is outwardly of plain appearance, but possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order which circumscribes her life and position.

From AudioFile

For a fan of Gothic romances, the opportunity to listen to a new recording of JANE EYRE is not to be passed up. British actress Juliet Stevenson gives a simply splendid narration. She gives clear voice to the spirited, intelligent, fiercely independent Jane and communicates the heroine's full range of emotions. Stevenson reads at a smooth, even pace, adding just the right amount of drama. If the new release of JANE EYRE at the movies moves many to take another look at the novel, Stevenson's masterful narration would be an excellent choice. C.R.A An AUDIOFILE Earphones Award winner.

Midwest Book Review

This tie-in edition of a classic joins a major motion picture from Miramax Films, which should appeal to a wider audience than normal due to its inclusion of feature art from the film. In this new contemporary edition the classic story comes alive.

About Author

Charlotte Bronte was born at Thornton, Yorkshire, on April 21, 1816. Her father, Patrick Bronte, became curate for life of the moorland parish of Haworth, Yorkshire, in 1820, and her mother, Maria Bronte, died the following year, leaving behind five daughters and a son who were cared for in the parsonage by their aunt, Elizabeth Branwell. The eldest daughters, Maria and Elizabeth, died in 1825 from tuberculosis contracted at the religious boarding school to which they (along with Charlotte and her younger sister Emily) had been sent. (All the Bronte children ultimately suffered from lung disease.)

Raised at home thereafter, Charlotte, Emily, their youngest sister, Anne, and brother, Branwell, lived in a fantasy world of their own making, drawing on their voracious reading of Byron, Scott, Shakespeare, The Arabian Nights, and gothic fiction, and writing elaborate poetic and dramatic cycles involving the histories of imaginary countries. Charlotte's early writings revolved around the kingdom of Angria, about which she wrote melodramatic tales of passion and revenge. She spent a year studying at Miss Wooler's school in Roe Head (later relocated to Dewsbury Moor), and went back there to teach from 1835 to 1838; subsequently she worked as a governess.

With Emily, Charlotte traveled in 1842 to study languages at a boarding school in Brussels; her close emotional attachment to her instructor, M. Heger, a married man, would later figure in her fiction. Charlotte and Emily went home after a year because of their aunt's death; Charlotte subsequently returned to Brussels for a year of teaching, 1843 to 1844. A joint collection of poems by Charlotte, Emily, and Anne—published pseudonymously as Poems by Currer, Ellis and Acton Bell—appeared in 1846. The three sisters had in the meantime each written a novel, of which Emily's Wuthering Heights and Anne's Agnes Grey were accepted in 1847 for publication the following year. Charlotte's first novel, The Professor, based on her experiences in Brussels, was rejected by a series of publishers (it finally appeared posthumously in 1857).

Jane Eyre was published under Charlotte's pseudonym, Currer Bell, in 1847 and achieved commercial and critical success; it had gone through four editions by the time of Charlotte's death. Jane Eyre won high praises; William Makepeace Thackeray (who later became a friend) declared himself 'exceedingly moved and pleased,' and George Henry Lewes applauded its 'deep significant reality'; it was also criticized by some for the rebelliousness of its heroine and for what the Quarterly Review called 'coarseness of language and laxity of tone.'

During this period the Brontes underwent repeated tragedies. Branwell, despite his early promise, had been ravaged by the effects of drink and drugs, and when he found work as a tutor in the same household where Anne was a governess, his involvement with his employer's wife led to his dismissal; he died in September of 1848, followed three months later by Emily and the following year by Anne. Charlotte, the sole survivor, published two more novels, Shirley (1849), a novel of Yorkshire during the Napoleonic period, and Villette (1853), a further fictional exploration of her Brussels experiences. In 1850 she met the novelist Elizabeth Gaskell, with whom she formed a close friendship; Gaskell later wrote the classic biography of her friend, The Life of Charlotte Bronte (1857). Charlotte married her father's curate, Arthur Bell Nicholls, in 1854, and died on March 31, 1855.

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简爱

SUMMARY: The eagerly anticipated debut novel from the author of the Pulitzer Prize finalist You Are Not a Stranger Here: a deeply affecting portrait of the modern gilded age, the first decade of the twenty-first century. At the heart of Union Atlantic lies a test of wills between a young banker, Doug Fanning, and a retired schoolteacher, Charlotte Graves, whose two dogs have begun to speak to her. When Doug builds an ostentatious mansion on land that Charlotte's grandfather donated to the town of Finden, Massachusetts, she determines to oust him in court. As a senior manager of Union Atlantic bank, a major financial conglomerate, Doug is embroiled in the company's struggle to remain afloat. It is Charlotte's brother, Henry Graves, the president of the New York Federal Reserve, who must keep a watchful eye on Union Atlantic and the entire financial system. Drawn into Doug and Charlotte's intensifying conflict is Nate Fuller, a troubled high-school senior who unwittingly stirs powerful emotions in each of them. Irresistibly complex, imaginative, and witty, Union Atlantic is a singular work of fiction that is sure to be read and reread long after it causes a sensation this spring.

SUMMARY: An aspiring writer with a low-paying day job at a coffee shop becomes embroiled in an elaborate scheme to create a fake memoir of his own. Ian quickly realizes that fact and fiction can be dangerously intertwined.

EDITORIAL REVIEW: A tale of vengeance, true love, and cannibalism Being born undead can have its disadvantages, such as eternal youth and flawless beauty ---things most unsuitable for a witch. Hiding behind the guise of a grimy old crone, the witch is content living outside Fort Stalwart with her unlikely band of allies: a troll named Gwurm, an enchanted broom, and a demonic duck named Newt. She leads a simple life filled with spells, potions, and the occasional curse. So when a White Knight arrives at Fort Stalwart, the witch knows her days of peace are at an end. The Knight is just days in front of a horde of ravenous goblings, and Fort Stalwart lies right in the horde’s path. But the goblings are just the first wave of danger, and soon the witch and the Knight must combine forces on a perilous quest to stop a mad sorcerer from destroying the world. Filled with menace, monsters, and magic, *A Nameless Witch* is a properly witchly read by the award-winning author of *Gil’s All Fright Diner* and *In the Company of Ogres*.

EDITORIAL REVIEW: **From the critically acclaimed, award-nominated author comes a new noir crime classic about one of the most notorious trials in American history.** Critics called Ace Atkins’s *Wicked City* “gripping, superb” (*Library Journal*), “stunning” (*The Tampa Tribune*), “terrific” (Associated Press), “riveting” (*Kirkus Reviews*), “wicked good” (*Fort Worth Star-Telegram*), and “Atkins’ best novel” (*The Washington Post*). But *Devil’s Garden* is something else again. San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel: girls, jazz, bootleg hooch . . . and a dead actress named Virginia Rappe. The D.A. says it was Arbuckle who killed her—crushing her under his weight—and brings him up on manslaughter charges. William Randolph Hearst’s newspapers stir up the public and demand a guilty verdict. But what really happened? Why do so many people at the party seem to have stories that conflict? Why is the prosecution hiding witnesses? Why are there body parts missing from the autopsied corpse? Why is Hearst so determined to see Fatty Arbuckle convicted? In desperation, Arbuckle’s defense team hires a Pinkerton agent to do an investigation of his own and, they hope, discover the truth. The agent’s name is Dashiell Hammett, and he’s the book’s narrator. What he discovers will change American legal history—and his own life—forever. “The historical accuracy isn’t what elevates Atkins’ prose to greatness,” said *The Tampa Tribune*. “It’s his ability to let these characters breathe in a way that few authors could ever imagine. He doesn’t so much write them as unleash them upon the page.” You will not soon forget the extraordinary characters and events in *Devil’s Garden*.

Amazon.com Review

Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson

From Library Journal

This 50th-anniversary commemorative edition of Orwell's masterpiece is lavishly illustrated by Ralph Steadman. In addition, it contains Orwell's proposed introduction to the English-language version as well as his preface to the Ukrainian text. Though all editions of Animal Farm are equal, this one is more equal than others.
Copyright 1996 Reed Business Information, Inc.

SUMMARY: This sequel to The Claiming of Sleeping Beauty, the first of Anne Rice's elegantly written volumes of erotica, continues her explicit, teasing exploration of the psychology of human desire. Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away from the Satyricon-like world of the castle. Once again Rice's fabulous tale of pleasure and pain dares to explore the most primal and well-hidden desires of the human heart.

SUMMARY: In the final volume of Anne Rice's deliciously tantalizing erotic trilogy, Beauty's adventures on the dark side of sexuality make her the bound captive of an Eastern Sultan and a prisoner in the exotic confines of the harem. As this voluptuous adult fairy tale moves toward conclusion, all Beauty's encounters with the myriad variations of sexual fantasy are presented in a sensuous, rich prose that intensifies this exquisite rendition of Love's secret world, and makes the Beauty series and incomparable study of erotica. In it, Anne Rice makes the forbidden side of passion a doorway into the hidden regions of the psyche and the heart.

SUMMARY: The acclaimed author of Vinegar Hill returns with a story of two unlikely romances—one historical, the other modern-day—separated by thousands of miles and well over a century. Battling feelings of loss and apathy in the wake of a painful divorce, novelist Jeanette struggles to complete a book about the long-term relationship between Clara Schumann, a celebrated pianist and the wife of the composer Robert Schumann, and her husband's protÉgÉ, the handsome young composer Johannes Brahms. Although this legendary love triangle has been studied exhaustively, Jeanette—herself a gifted pianist—wonders about the enduring nature of Clara and Johannes's lifelong attachment. Were they just "best friends," as both steadfastly claimed? Or was the relationship complicated by desires that may or may not have been consummated? Through a chance encounter, Jeanette meets Hart, a mysterious, worldly entrepreneur who is a native of Clara's birthplace, Leipzig, Germany. Hart's casual help with translations quickly blossoms into something more. There are things about men and women, he insists, that do not change. The two embark on a whirlwind emotional journey that leads Jeanette across Germany and Switzerland to a crossroads similar to that faced by Clara Schumann—also a mother, also an artist—more than a century earlier. Accompanied by photographs, sketches, and notes from past and present, A. Manette Ansay's original blend of fiction and history captures the timeless nature of love and friendship between women and men.

EDITORIAL REVIEW: ** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. ** He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*. In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oil­man. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction. EDITORIAL REVIEW: ** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. ** He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*. In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oil­man. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction.

First American PublicationThis stunning and elegiac novel by the author of the internationally acclaimed Wind-Up Bird Chronicle has sold over 4 million copies in Japan and is now available to American audiences for the first time.  It is sure to be a literary event.Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before.  Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable.  As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.A poignant story of one college student's romantic coming-of-age, Norwegian Wood takes us to that distant place of a young man's first, hopeless, and heroic love.