EDITORIAL REVIEW: **From the critically acclaimed, award-nominated author comes a new noir crime classic about one of the most notorious trials in American history.** Critics called Ace Atkins’s *Wicked City* “gripping, superb” (*Library Journal*), “stunning” (*The Tampa Tribune*), “terrific” (Associated Press), “riveting” (*Kirkus Reviews*), “wicked good” (*Fort Worth Star-Telegram*), and “Atkins’ best novel” (*The Washington Post*). But *Devil’s Garden* is something else again. San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel: girls, jazz, bootleg hooch . . . and a dead actress named Virginia Rappe. The D.A. says it was Arbuckle who killed her—crushing her under his weight—and brings him up on manslaughter charges. William Randolph Hearst’s newspapers stir up the public and demand a guilty verdict. But what really happened? Why do so many people at the party seem to have stories that conflict? Why is the prosecution hiding witnesses? Why are there body parts missing from the autopsied corpse? Why is Hearst so determined to see Fatty Arbuckle convicted? In desperation, Arbuckle’s defense team hires a Pinkerton agent to do an investigation of his own and, they hope, discover the truth. The agent’s name is Dashiell Hammett, and he’s the book’s narrator. What he discovers will change American legal history—and his own life—forever. “The historical accuracy isn’t what elevates Atkins’ prose to greatness,” said *The Tampa Tribune*. “It’s his ability to let these characters breathe in a way that few authors could ever imagine. He doesn’t so much write them as unleash them upon the page.” You will not soon forget the extraordinary characters and events in *Devil’s Garden*.

SUMMARY: The acclaimed author of Vinegar Hill returns with a story of two unlikely romances—one historical, the other modern-day—separated by thousands of miles and well over a century. Battling feelings of loss and apathy in the wake of a painful divorce, novelist Jeanette struggles to complete a book about the long-term relationship between Clara Schumann, a celebrated pianist and the wife of the composer Robert Schumann, and her husband's protÉgÉ, the handsome young composer Johannes Brahms. Although this legendary love triangle has been studied exhaustively, Jeanette—herself a gifted pianist—wonders about the enduring nature of Clara and Johannes's lifelong attachment. Were they just "best friends," as both steadfastly claimed? Or was the relationship complicated by desires that may or may not have been consummated? Through a chance encounter, Jeanette meets Hart, a mysterious, worldly entrepreneur who is a native of Clara's birthplace, Leipzig, Germany. Hart's casual help with translations quickly blossoms into something more. There are things about men and women, he insists, that do not change. The two embark on a whirlwind emotional journey that leads Jeanette across Germany and Switzerland to a crossroads similar to that faced by Clara Schumann—also a mother, also an artist—more than a century earlier. Accompanied by photographs, sketches, and notes from past and present, A. Manette Ansay's original blend of fiction and history captures the timeless nature of love and friendship between women and men.

EDITORIAL REVIEW: ** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. ** He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*. In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oil­man. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction. EDITORIAL REVIEW: ** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. ** He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*. In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oil­man. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction.